Whose ‘Intangible Cultural Heritage’?

Cypriot Intangible Cultural Heritage: Digitizing Folk Dances

Cyprus has a long and rich history of dance tradition which unfortunately, year after year, tends to be forgotten; thus, it is our duty to help documenting and disseminating our dance heritage to the younger generations. In this work, we aim to preserve the Cypriot folk dance heritage, creating a state-of-the-art publicly accessible digital archive of folk dances. Our dance library, apart from ...

Process-centric Cataloguing of Intangible Cultural Heritage

Museums and archives collect and store documentation of processes of intangible cultural heritage (ICH), such as craftsmanship skills, acts, and events recorded in videos, audio tapes, manuscripts, photos, and transcriptions. Such recordings are typically catalogued in an object-centric way as documents, using schemas such as Dublin Core. Also in event-centric models the focus has been on tangi...

Intangible cultural heritage webs: Comparing national networks with digital methods

The 2003 Unesco Convention for the safeguarding of the intangible cultural heritage (ICH) is addressed to States and assigns them several tasks. No State, however, can accomplish all these tasks without mobilizing a wide network of institutions, associations and individuals. The national ICH policies intersect, overlap and often transform the existing relationships among these actors. This pape...

Interactive animated storytelling in presenting intangible cultural heritage

Isa bey tekke does not exist any more in Sarajevo. This valuable cultural heritage object was completely destroyed and a gasoline station was built in its place. Virtual reconstruction has recovered the appearance of the building, but not what was happening inside. The Mevlevi dervish ritual was presented using interactive computer animation. The goal of this paper is to explore the perception ...

Survey report Intangible Cultural Heritage of Displaced Syrians